Brothers, Kuzey and Guney, are poles apart in character and perception. Despite their differences, the brothers fall in love with the same girl, Cemre.

Reporter for a North Korean news service joins the partisans when the Americans and UN forces invade South Korea.

After fighting for their country in the Army, friends Chris and Johnny return to South London only to find their home town has changed beyond recognition. With no jobs the two join local gangs, work their way to the top and become feared hooligan bosses. The only thing that can top war, and threaten friendships, is money and power, but who will stand their ground and come out on top in the violent and bloody battle between North and South?

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

"Boys Town" drama about a man named Rawhide MacGregor, a one-time ex-convict who runs a cattle ranch as a correctional facility for urban juvenile delinquents where he tries through a variety of means and choirs to redeem them from their trouble-making ways.

The story takes place nowadays, somewhere in Northern Hungary. Juli leaves home one day on a bicycle. She starts toward the North. Cycles comfortably on the bending mountain roads. She left the compass home, however, so she gets lost soon. On the road, she meets strange figures.

Following a nervous breakdown, ski athlete Jomar has isolated himself in a lonely existence as the guard of a ski park. When he learns that he might be the father of a child way up north, he sets on a strange and poetic journey through Norway on a snowmobile, with 5 liters of alcohol as sole provisions. On this trip through amazing arctic landscapes, Jomar seems to do everything in his power to avoid reaching his destination. He meets other tender and confused souls, who will all contribute to push Jomar further along his reluctant journey towards the brighter side of life.

Isolated on a farm and fighting against his family's decision, Aaron struggles to be heard as he watches his mother willingly die.

“NORTH [by artist John Boskovich] features Gary Indiana, exuding star power, reading from Céline’s novel ‘North,’ an account of Céline’s desperate flight from France to Germany in the waning days of World War II. […] With scenes from Jean-Luc Godard’s PIERROT LE FOU projected behind Indiana, and a camera circling him like a shark, NORTH buzzes with turpitude, grandeur, and intelligence. It isn't a modern ‘Sentimental Education,’ but it twists the twistedness of that novel into a scary, sickening shape.” –Jerry Saltz, ARTNET

The film centers on Gerda, who sets off into the great unknown in search of her friend Kai, who has mysteriously vanished. On her journey, Gerda makes friends with people, birds, beasts, and a kind witch, unaware that a hostile, unseen enemy – the Snow Queen and her devil apprentice, Louie – is watching her. The evil queen keeps Kai prisoner in her ice palace way up north in Finnmark, Norway.